Drawing informs my broader practice of sculpture, installation and performance. As a studio practice, it provides a necessary contrast to the often site- specific processes of three dimensional making. I use collage techniques with recycled materials and surfaces to make objects put together without hiding papery-ness or edges. This process facilitates my thinking, operating at different visual scales; cellular, human or cosmic registers, and enables me to develop the themes that recur throughout my practice; spatial relationships, power relationships, and states of being,