Drawing informs my broader practice of sculpture, installation and performance. As a studio practice, it provides a necessary contrast to the site- specific processes of three dimensional making.

I use collage techniques with recycled materials and surfaces to make objects delicately put together without hiding papery-ness or edges, their handmade nature purposefully linking back to their maker.

This process facilitates my thinking and enables me to unpick, test and develop the themes that recur throughout my practice; spatial relationships, power relationships, and states of being, making works that operate at different visual scales so they can be read at cellular, human or cosmic registers.